Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields made "Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason" available on January 26, 2024. The duration of Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason is about 3 minutes long, at 3:25. Based on our data, "Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 21 in English String Music: Britten, Holst, Purcell, Vaughan Williams... by Sir Neville Marriner, Academy of St. Martin in the Fields, Benjamin Britten, Frederick Delius, Gustav Holst, Henry Purcell, Ralph Vaughan Williams, Michael Tippett, William Walton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Holst: St. Paul's Suite, Op. 29 No. 2: IV. Finale. The Dargason by Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo - Allegro molto | Johannes Brahms, Vienna Piano Trio | B Major | 1 | 1B | 160 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Keyboard Concerto No. 4 in A Major, BWV 1055: I. Allegro | Johann Sebastian Bach, Tianqi Du, Academy of St. Martin in the Fields, Jonathan Bloxham | A Major | 2 | 11B | 102 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Appalachian Spring - 1945 Suite: 3. Moderato: The Bride and her Intended | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Minor | 0 | 12A | 170 BPM | ||
Handel: Berenice, HWV 38, Act 2: Minuet | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 70 BPM | ||
Armida: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 100 BPM |