"Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto" by Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle was released on January 1, 2007. With Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Reger, M.: Variations and Fugue On A Theme of Mozart / 4 Tondichtungen Nach Arnold Bocklin". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto by Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
R. Strauss: Sinfonia Domestica, Op. 53, TrV 209: IV. Scherzo | Richard Strauss, Munich Philharmonic Orchestra, Zubin Mehta | D Major | 1 | 10B | 86 BPM | ||
A Symphonic Mass: IV. Offertorium | George Lloyd, Bournemouth Symphony Orchestra | G Major | 3 | 9B | 131 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 6, Variation de la neige - No. 7, Coda | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Bartók: Romanian Folk Dances, Sz. 56: No. 3, In One Spot (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Suite from "Pelléas et Mélisande", Op. 46: IV. A Spring in the Park | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | D Minor | 0 | 7A | 88 BPM | ||
Slovak Suite, Op. 32: III. The Lovers. Andante quasi allegretto | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | E♭ Major | 0 | 5B | 76 BPM | ||
Serenata, P. 54 | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | C Minor | 1 | 5A | 114 BPM | ||
Coppélia / Tableau 1: Czardas (Danse hongroise) - Sortie | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | A Major | 2 | 11B | 97 BPM | ||
The Tale of Tsar Saltan Suite, Op. 57: The Tale of Tsar Saltan Suite, Op. 57: I. The Tsar's Farewell and Departure | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 2 | 9B | 98 BPM | ||
Variations & Fugue on a Theme by Telemann, Op. 134: Var. 14, Meno vivace | Max Reger, Marc-André Hamelin | B♭ Major | 2 | 6B | 169 BPM |