"Death and the Maiden: The Confession" by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit was released on January 1, 2003. With this song being about 5 minutes long, at 4:56, "Death and the Maiden: The Confession" by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wojciech Kilar's "Kilar: Bram Stoker's Dracula / Death and the Maiden" album is number 13 out of 18. Death and the Maiden: The Confession is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Death and the Maiden: The Confession by Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Left Hand of God: Love Theme | Charles Gerhardt | D♭ Major | 1 | 3B | 80 BPM | ||
Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce | Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 0 | 4A | 69 BPM | ||
Requiem, Op. 89 B. 165: Sanctus (Vocal Quartet, Chorus) | Antonín Dvořák, Christiane Libor, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | C Major | 3 | 8B | 128 BPM | ||
Death and the Maiden: The Confession | Wojciech Kilar, Jacek Mentel, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | B Minor | 2 | 10A | 74 BPM | ||
Moorish Scents | Johnny Klimek, Reinhold Heil, Tom Tykwer, Sir Simon Rattle, Berliner Philharmoniker | D Minor | 1 | 7A | 71 BPM | ||
Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
Gayane Suite No. 3: IV. Gayane's Adagio | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | F Minor | 1 | 4A | 74 BPM | ||
Symphony No. 3: Passacaglia - Allegro moderato | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | G Major | 0 | 9B | 69 BPM | ||
Czech Suite, Op. 39, B. 93: II. Polka | Antonín Dvořák, Polish National Radio Symphony Orchestra, Antoni Wit | D Major | 0 | 10B | 87 BPM | ||
Reunion and Finale (from "Sleepers") | Boston Pops Orchestra, Keith Lockhart | C Major | 1 | 8B | 63 BPM |