"Gayane Suite No. 3: IV. Gayane's Adagio" by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov was released on June 1, 1994. With this song being about 5 minutes long, at 4:56, "Gayane Suite No. 3: IV. Gayane's Adagio" by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aram Khachaturian's "Khachaturian, A.I.: Gayane Suites Nos. 1- 3" album is number 15 out of 17. On top of that, Hong Kong appears to be the country where this track was created. Gayane Suite No. 3: IV. Gayane's Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gayane Suite No. 3: IV. Gayane's Adagio by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Tristan & Isolde: Einleitung | Richard Wagner, Edo de Waart | C Major | 0 | 8B | 82 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Symphony No. 7 in A, Op. 92: 2. Allegretto | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | E Minor | 1 | 9A | 63 BPM | ||
Three Piano Preludes: No. 2 | Frederick Delius, Eric Parkin | A Minor | 0 | 8A | 174 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, SWR Vokalensemble Stuttgart, Staatsopernchor Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | E Major | 0 | 12B | 67 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": III. Joutsenet muuttavat (Swans Migrating) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 3 | 3B | 85 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM |