"Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce" by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit was released on May 1, 2012. With this song being about 5 minutes long, at 4:35, "Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce" by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Henryk Górecki, Various Artists, Antoni Wit's "Górecki: Little Requiem for a Certain Polka - Concerto-Cantata - Harpsichord Concerto - 3 Dances" album is number 6 out of 13. Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto-Cantata, Op. 65: II. Arioso: Lento assai tranquillissimo - Cantabile - Dolce by Henryk Górecki, Carol Wincenc, Warsaw Philharmonic Orchestra, Antoni Wit to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
DANCE: IV. in your blood | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | C Major | 3 | 8B | 68 BPM | ||
Piano Concerto No. 1 in E minor, Op. 11: III. Rondo: Vivace | Frédéric Chopin, Stanislav Bunin, Warsaw Philharmonic Orchestra, Tadeusz Strugala | E Major | 2 | 12B | 112 BPM | ||
Polish Requiem: Agnus Dei (arr. for 8 cellos) | Anonymous, Krzysztof Penderecki, Jan Kalinowski, Beata Urbanek-Kalinowska, Anna Armatys-Borrelli, Karolina Jaroszewska, Marcin Mączyński, Franciszek Pall, Michał Dąbek, Marta Nagawiecka | C Major | 0 | 8B | 68 BPM | ||
Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15: Quasi Lento, teneramente | Herbert Howells, Richard Hickox, City of London Sinfonia, Andrew Watkinson, Edward Roberts, Matthew Souter, Shuna Wilson | C Minor | 0 | 5A | 90 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Die Walkure: Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | C Major | 5 | 8B | 172 BPM | ||
Symphony No. 6 in B Minor, Op. 74, "Pathetique": Solitude [Again, as before, alone], Op. 73, No. 6 (trans. L. Stokowski) | Pyotr Ilyich Tchaikovsky, Bournemouth Symphony Orchestra, José Serebrier | B♭ Major | 0 | 6B | 45 BPM | ||
Sonata for 2 Violins, Op. 10: I. Allegro molto | Henryk Górecki, Tippett Quartet, John Mills, Jeremy Isaac | D♭ Major | 0 | 3B | 88 BPM | ||
Dance: II. Second Movement | Oliver Davis, Kerenza Peacock, Huw Watkins, Paul Bateman | F♯ Minor | 1 | 11A | 85 BPM | ||
3 Gymnopedies (orch. Debussy): Gymnopedie No. 1 | Erik Satie, Claude Debussy, Slovak Radio Symphony Orchestra, Ondrej Lenard | A Minor | 0 | 8A | 80 BPM |