"Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato" by Czech Philharmonic Orchestra was released on April 1, 2010. Since Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 World Classical Masterpieces, so we believe that "Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato" is a single. The popularity of Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto for Piano and Orchestra No. 2 in A major: Adagio Sostenuto Assai - Allegro Agitato by Czech Philharmonic Orchestra is Presto (very, very fast), since this song has a tempo of 182 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 6. Ysobel (Andantino) - Live | Edward Elgar, Czech Philharmonic, Leopold Stokowski | G Major | 4 | 9B | 93 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste | Antonín Dvořák, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 92 BPM | ||
マーラー:交響曲第2番 ハ短調「復活」;第5楽章 スケルツォのテンポで。あらあらしく放射するように | ヴァーツラフ・ノイマン, Czech Philharmonic | G Major | 4 | 9B | 83 BPM | ||
Fucik : Florentiner-Marsch Op.214 | Julius Fučík, Václav Neumann, Czech Philharmonic Orchestra | F Major | 4 | 7B | 125 BPM | ||
Wonderful Days Theme II - 오케스트라 Version | Czech Philharmonic Orchestra | F Minor | 2 | 4A | 93 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM |