"Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste" by Antonín Dvořák, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 1998. The duration of Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste is about 3 minutes long, at 3:22. Based on our data, "Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 30 in Dvorák: Rusalka by Antonín Dvořák, Renée Fleming, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rusalka, Op. 114 / Act 2: Kvetiny bile po ceste by Antonín Dvořák, Franz Hawlata, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Káta Kabanová / Act 2: Jste to vy, Katerino Petrovno? | Leoš Janáček, Peter Dvorsky, Elisabeth Söderström, Libuse Marova, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 140 BPM | ||
Rusalka, Op. 114 / Act 1: Sestry, jedna scházi z nás! | Antonín Dvořák, Franz Hawlata, Ben Heppner, Kühn Mixed Choir, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 2 | 9B | 138 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
Norma / Act 1: Sgombra è la sacra | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 0 | 6B | 137 BPM | ||
Die lustigen Weiber von Windsor (The Merry Wives of Windsor): Overture | Otto Nicolai, Franz Hawlata, Dietrich Henschel, Wolfgang Bankl, Jörg Dürmüller, Heinz Zednik, Alfred Sramek, Juliane Banse, Andrea Bonig, Regina Klepper, Hermann Godland, North Rhine Westfalia State Youth Choir, Cologne West German Radio Orchestra, Helmut Froschauer | F Major | 1 | 7B | 140 BPM | ||
Messa di Gloria, Op.posth., Gloria: Cum Sancto Spiritu in gloria Dei Patris - Gloria in excelsis Deo | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 3 | 8B | 118 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Major | 2 | 10B | 81 BPM | ||
Verdi: Messa da Requiem: XIX. Libera me | Giuseppe Verdi, Carlo Maria Giulini, Elisabeth Schwarzkopf, The Philharmonia Chorus, Philharmonia Orchestra | B Minor | 1 | 10A | 137 BPM | ||
Boss Convinces Charley | Michael Kamen, Czech Philharmonic Orchestra | A Major | 1 | 11B | 80 BPM | ||
Norma / Act 1: Deh! proteggimi, o Dio! | Vincenzo Bellini, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | D♭ Major | 0 | 3B | 170 BPM |