"Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra was released on 1974. With Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #14 out of 55 tracks. In terms of popularity, Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | ||
Nabucco / Act 1: Io t'amava! | Giuseppe Verdi, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 87 BPM | ||
Aida / Act 1: Su! del Nilo al sacro lido | Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Plácido Domingo, Piero de Palma, Ruggero Raimondi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 95 BPM | ||
Andrea Chénier / Act 1: Perdonatemi! ... La notte il giorno portiamo | Umberto Giordano, Montserrat Caballé, Astrid Varnay, Leo Nucci, Neil Howlett, Giorgio Tadeo, National Philharmonic Orchestra, Riccardo Chailly | D Major | 2 | 10B | 77 BPM | ||
Nabucco / Act 2: S'oda or me | Giuseppe Verdi, Piero Cappuccilli, Lucia Valentini Terrani, Kurt Rydl, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 2 | 5B | 75 BPM | ||
Don Carlo, Act I: Questo arcano dal Re (Rodrigo/Carlo) | Giuseppe Verdi, Luciano Pavarotti, Paolo Coni, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti, Orchestra Del Teatro Alla Scala Di Milan | F Major | 4 | 7B | 89 BPM | ||
Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM |