Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Plácido Domingo, Piero de Palma, Ruggero Raimondi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi's 'Aida / Act 1: Su! del Nilo al sacro lido' came out on January 1, 1982. The duration of Aida / Act 1: Su! del Nilo al sacro lido is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Aida / Act 1: Su! del Nilo al sacro lido's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verdi: Aida by Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado. The song's track number on the album is #7 out of 35 tracks. In terms of popularity, Aida / Act 1: Su! del Nilo al sacro lido is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida / Act 1: Su! del Nilo al sacro lido by Giuseppe Verdi, Katia Ricciarelli, Elena Obraztsova, Plácido Domingo, Piero de Palma, Ruggero Raimondi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aida / Act 1: Su! del Nilo al sacro lido being at 95 テンポ, the half-time would be 48 テンポ with a double-time of 190 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Norma (1997 Digital Remaster), ACT 2, Scene 3: Guerra, guerra! La galliche selve (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | A Major | 3 | 11B | 136 BPM | ||
Puccini: Tosca, Act 3: "Io de' sospiri" (Shepherd) | Giacomo Puccini, Alvaro Cordova/Orchestra del Teatro alla Scala, Milano/Victor de Sabata, Alvaro Cordova, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
Il barbiere di Siviglia / Act 1: Mi par d'essere con la testa | Gioachino Rossini, Teresa Berganza, Fernando Corena, Nicolai Ghiaurov, Stefania Malagu, Ugo Benelli, Manuel Ausensi, Dino Mantovani, Coro del Teatro di San Carlo di Napoli, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 5 | 8B | 107 BPM | ||
Il barbiere di Siviglia / Act I: "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) | Gioachino Rossini, Teresa Berganza, Enzo Dara, Hermann Prey, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Rigoletto / Act 1: "Gran nuova! Gran nuova!" - "Tutto è gioia, tutto è festa" (Scena e Coro) | Giuseppe Verdi, Christian Du Plessis, Luciano Pavarotti, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A♭ Major | 6 | 4B | 135 BPM | ||
Carmen, WD 31 / Act III: "Si tu m'aimes, Carmen" | Georges Bizet, Sherrill Milnes, Teresa Berganza, Yvonne Kenny, Alicia Nafé, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 98 BPM | ||
Tosca / Act II: Nel pozzo del giardino! Va, Spoletta! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Ruggero Raimondi, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 64 BPM | ||
Falstaff / Act I: "Alice" - "Meg" - "Nannetta" | Giuseppe Verdi, Stella Doufexis, Adrianne Pieczonka, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
Turandot / Act 1: Ah! Per l'ultima volta! (Timur, Liù, Ping, Pang, Pong, Calaf, Coro) | Giacomo Puccini, Barbara Hendricks, Heinz Zednik, Plácido Domingo, Francisco Araiza, Ruggero Raimondi, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | E Major | 5 | 12B | 80 BPM | ||
Rigoletto / Act 1: "Zitti, zitti...Soccorso, padre mio" | Giuseppe Verdi, Joan Sutherland, Sherrill Milnes, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 87 BPM |