"Andrea Chénier / Act 1: Perdonatemi! ... La notte il giorno portiamo" by Umberto Giordano, Montserrat Caballé, Astrid Varnay, Leo Nucci, Neil Howlett, Giorgio Tadeo, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 1984. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 7 out of 30. Andrea Chénier / Act 1: Perdonatemi! ... La notte il giorno portiamo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 1: Perdonatemi! ... La notte il giorno portiamo by Umberto Giordano, Montserrat Caballé, Astrid Varnay, Leo Nucci, Neil Howlett, Giorgio Tadeo, National Philharmonic Orchestra, Riccardo Chailly to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: Suor Angelica: "Suor Angelica, sentite!" (La sorella infermiera, Suor Angelica, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | A Minor | 0 | 8A | 80 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Lucrezia Borgia / Act 1: Oh! a te bada, a te stesso pon mente | Gaetano Donizetti, Dame Joan Sutherland, Ingvar Wixell, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 98 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Ancor non giunse?" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Tullio Serafin, Orchestra del Maggio Musicale Fiorentino | A Major | 1 | 11B | 184 BPM | ||
Ponchielli: La Gioconda, Act 3: "O madre mia, nell'isola fatale" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra di Torino Della RAI | F Major | 1 | 7B | 77 BPM | ||
Tosca / Act 2: "Ov'è Angelotti?" - "Mario, tu qui?!" | Giacomo Puccini, Montserrat Caballé, José Carreras, Ingvar Wixell, Piero de Palma, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 103 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Las Golondrinas, Escena 3ª, I parte: "Es de noche" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi, Mercedes Plantada | E♭ Major | 2 | 5B | 129 BPM | ||
Andrea Chénier / Act 3: "Sì, fui soldato .. Passa la vita mia" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | B♭ Major | 5 | 6B | 159 BPM | ||
Puccini: Tosca, Act 2: "Dov'è Angelotti?" (Scarpia, Cavaradossi, Spoletta, Tosca) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, David Cangelosi, Roberto Alagna, Ruggero Raimondi, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM |