"Antidotum tarantulae" by Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley was released on 2001. The duration of Antidotum tarantulae is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Antidotum tarantulae's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley's "La Tarantella: Antidotum Tarantulae (Extraits de la bande originale du film "Tous les soleils")" album is number 17 out of 17. In terms of popularity, Antidotum tarantulae is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Antidotum tarantulae by Athanasius Kircher, L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi, Marco Beasley to be Moderato (at a moderate speed) because the track has a tempo of 111 テンポ, a half-time of 56テンポ, and a double-time of 222 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Ostinato vo' seguire: Ostinato vo' seguire | Marchetto Cara, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey | G Major | 2 | 9B | 107 BPM | ||
Falla con misuras | Guglielmo Ebreo da Pesaro, Capilla Flamenca | E Minor | 0 | 9A | 84 BPM | ||
Balletto Quarto: Adaggio | Maurizio Cazzati, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 130 BPM | ||
Falvo / Arr. Pluhar: Dicitencello vuje! | Rodolfo Falvo, Christina Pluhar, Vincenzo Capezzuto | E Minor | 0 | 9A | 100 BPM | ||
Trio Sonata In C Major, RV 82: 2. Larghetto | Antonio Vivaldi, Avi Avital, Mahan Esfahani, Ophira Zakai, Patrick Sepec | C Minor | 0 | 5A | 59 BPM | ||
Folle è ben che si crede | Tarquinio Merula, Simone Kermes, Enrico Casazza, La Magnifica Comunità | C Major | 0 | 8B | 93 BPM | ||
La Villanella, Terza parte, Alle nozze: V. Tarantella di Sannicandro | Giovanni Girolamo Kapsberger, L'Arpeggiata, Christina Pluhar, Pino de Vittorio, Hans-Jörg Mammel | G Minor | 1 | 6A | 84 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM |