"Folle è ben che si crede" by Tarquinio Merula, Simone Kermes, Enrico Casazza, La Magnifica Comunità was released on March 4, 2016. The duration of Folle è ben che si crede is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Folle è ben che si crede's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Simone Kermes's "Love" album is number 2 out of 17. In terms of popularity, Folle è ben che si crede is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Folle è ben che si crede by Tarquinio Merula, Simone Kermes, Enrico Casazza, La Magnifica Comunità to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere: IV. Redde mihi laetitiam | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 174 BPM | ||
Caccini: Il primo libro delle musiche: Chi desia di saper | Francesca Caccini, Philippe Jaroussky, Thibaut García | F Major | 1 | 7B | 133 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich" | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | D♭ Major | 2 | 3B | 120 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D Major | 0 | 10B | 93 BPM | ||
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
Vivaldi: Orlando Furioso RV 728 - Adapted By Andrea Marcon / Act 2: Ah fuggi rapido | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | B♭ Major | 4 | 6B | 125 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Rodelinda / Act 3: Dunque sei Bertarido? - Eccoti innanzi il reo | George Frideric Handel, Marie-Nicole Lemieux, Sonia Prina, Steve Davislim, Marijana Mijanovic, Simone Kermes, Il Complesso Barocco, Alan Curtis | A Major | 0 | 11B | 78 BPM |