Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl made "St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich"" available on March 15, 2006. Since St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 12 out of 34 in Enchantment by Magdalena Kozená. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich"'s popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria (Alto): "Erbarme dich" by Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 68. Chorus I & II "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Dietrich Henschel | B Minor | 1 | 10A | 83 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Mondonville : Dominus regnavit : I | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | C Minor | 2 | 5A | 126 BPM | ||
II. Jesus Nahm Zu Sich Die Zwölfe BWV 22, Aria (Alto): Mein Jesu, Ziehe Mich Nach Dir | Pieter Jan Leusink, Louis Van Emmerik, Nico Van Der Meel, Holland Boys Choir; Netherlands Bach Collegium, Johann Sebastian Bach, Amsterdam Classics B.V., Bas Ramselaar, Sytse Buwalda, Ruth Holton, Jean Van Vugt, Peter Frankenberg | A Major | 1 | 11B | 79 BPM | ||
Il Farnace, R.711 / Act 2: Gelido in ogni vena | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | C Minor | 1 | 5A | 108 BPM | ||
I. Herr Jesu Christ, Du Höchstes Gut BWV 113, Aria (Tenore): Jesus Nimmt Die Sünder An | Pieter Jan Leusink, Knut Schoch, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Kate Clark, Ofer Frenkel, Peter Frankenberg, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda | D♭ Minor | 0 | 12A | 168 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, Seconda Parte, (10) Aria (Soprano): Eilt, Ihr Stunden, Kommt Herbei | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Pieter Jan Leusink | D♭ Major | 2 | 3B | 85 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM |