Gian Carlo Menotti, Eugene Ormandy's 'Barcarolle from Sebastian Suite' came out on 1972. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "The Italian Album". In this album, this song's track order is #11. The popularity of Barcarolle from Sebastian Suite is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Barcarolle from Sebastian Suite by Gian Carlo Menotti, Eugene Ormandy having a テンポ of 168 with a half-time of 84 テンポ and a double-time of 336 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Medium, Act II: "What Is the matter Toby?" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 86 BPM | ||
To Be Certain of the Dawn: Pt. II: Remembrance: Third Blessing (soprano, children's chorus) | Stephen Paulus, Barry Abelson, Elizabeth Futral, Christina Baldwin, John Tessier, Philip Cokorinos, Minnesota Boychoir, Minnesota Chorale, Basilica Cathedral Choir, Cathedral Choristers, Minnesota Orchestra, Osmo Vänskä | F Minor | 0 | 4A | 171 BPM | ||
3 extraits de la Messe des Morts: Agnus Dei | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Major | 2 | 8B | 165 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | ||
Liederkreis, Op. 39: In der Fremde | Robert Schumann, Jessye Norman, Irwin Gage | C Major | 9 | 8B | 136 BPM |