Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's 'Holberg Suite, Op. 40: I. Präludium (Allegro vivace)' came out on January 1, 1989. The duration of Holberg Suite, Op. 40: I. Präludium (Allegro vivace) is about 3 minutes long, at 3:03. Based on our data, "Holberg Suite, Op. 40: I. Präludium (Allegro vivace)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites Nos.1 & 2; From Holberg's Time; Sigurd Jorsalfar" album is number 9 out of 16. Based on our statistics, Holberg Suite, Op. 40: I. Präludium (Allegro vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Holberg Suite, Op. 40: I. Präludium (Allegro vivace) by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 119 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
L'Arlésienne Suite No.2: Menuet | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 73 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev | Modest Mussorgsky, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 2 | 5B | 85 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
J. Strauss II: Lob der Frauen, Op. 315 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 0 | 10B | 125 BPM | ||
Auf der Jagd, Op.373 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | A Major | 2 | 11B | 157 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM |