Holberg Suite, Op. 40: I. Präludium (Allegro vivace)

Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan
Grieg: Peer Gynt Suites Nos.1 & 2; From Holberg's Time; Sigurd Jorsalfar
3:03 1989年1月1日
テンポ
134
キー
G Major
キャメロットミュージックキー
9B

リンクを埋め込む

共有

Holberg Suite, Op. 40: I. Präludium (Allegro vivace) - Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan 情報

音響性
94%
ダンサビリティ
24%
エネルギー
6%
手段性
89%
活気
17%
ラウドネス
58%
話し言葉
4%
価数
24%
人気
ラウドネス
-25.041 dB

まとめ

Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's 'Holberg Suite, Op. 40: I. Präludium (Allegro vivace)' came out on January 1, 1989. The duration of Holberg Suite, Op. 40: I. Präludium (Allegro vivace) is about 3 minutes long, at 3:03. Based on our data, "Holberg Suite, Op. 40: I. Präludium (Allegro vivace)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites Nos.1 & 2; From Holberg's Time; Sigurd Jorsalfar" album is number 9 out of 16. Based on our statistics, Holberg Suite, Op. 40: I. Präludium (Allegro vivace)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Holberg Suite, Op. 40: I. Präludium (Allegro vivace) テンポ

We consider the tempo marking of Holberg Suite, Op. 40: I. Präludium (Allegro vivace) by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Holberg Suite, Op. 40: I. Präludium (Allegro vivace) キー

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace by Ottorino Respighi, Berliner Philharmoniker, Herbert von KarajanAntiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - VivaceOttorino Respighi, Berliner Philharmoniker, Herbert von KarajanG Minor16A119 BPM
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate by Jean Sibelius, Berliner Philharmoniker, Herbert von KarajanPelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle GateJean Sibelius, Berliner Philharmoniker, Herbert von KarajanG Major19B92 BPM
L'Arlésienne Suite No.2: Menuet by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von KarajanL'Arlésienne Suite No.2: MenuetGeorges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von KarajanE♭ Major05B73 BPM
Scheherazade: The Sea & Sinbad's Ship by Nikolai Rimsky-Korsakov, Joakim SvenhedenScheherazade: The Sea & Sinbad's ShipNikolai Rimsky-Korsakov, Joakim SvenhedenE Major112B82 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Mussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of Kiev by Modest Mussorgsky, Sir Simon Rattle, Berliner PhilharmonikerMussorgsky: Pictures at an Exhibition: No. 15, The Knight's Gate in the Old Capital of KievModest Mussorgsky, Sir Simon Rattle, Berliner PhilharmonikerE♭ Major25B85 BPM
Symphony No. 8 in B Minor, D. 759 Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderatoFranz Schubert, Berliner Philharmoniker, Herbert von KarajanB Minor110A107 BPM
J. Strauss II: Lob der Frauen, Op. 315 by Johann Strauss II, Nikolaus Harnoncourt, Berliner PhilharmonikerJ. Strauss II: Lob der Frauen, Op. 315Johann Strauss II, Nikolaus Harnoncourt, Berliner PhilharmonikerD Major010B125 BPM
Auf der Jagd, Op.373 by Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanAuf der Jagd, Op.373Johann Strauss II, Berliner Philharmoniker, Herbert von KarajanA Major211B157 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio by Gabriel Fauré, Boston Symphony Orchestra, Seiji OzawaPelléas et Mélisande, Op. 80: 1. Prélude. Quasi AdagioGabriel Fauré, Boston Symphony Orchestra, Seiji OzawaF Major27B98 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records