Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan made "Auf der Jagd, Op.373" available on January 1, 1981. The duration of Auf der Jagd, Op.373 is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Auf der Jagd, Op.373's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Strauss, Johann: Emperor Waltz; Tritsch-Tratsch-Polka; Roses From The South; The Gypsy Baron (Overture); Annen Polka; Wine, Women And Song; Hunting Polka". In this album, this song's track order is #7. Based on our statistics, Auf der Jagd, Op.373's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Auf der Jagd, Op.373 by Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 157 with a half-time of 78 テンポ and a double-time of 314 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 75 BPM | ||
Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) | Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 1 | 9B | 137 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
The Planets, Op. 32: 5. Saturn, the Bringer of Old Age | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 106 BPM | ||
Casse-noisette : Danses de Casse-noisette | Wiener Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 128 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Casse-noisette : danses de casse-noisette | Wiener Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 128 BPM | ||
Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker | A Major | 1 | 11B | 129 BPM | ||
Coppelia Ballet Suite: Notturno | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 80 BPM |