"Les Contes d'Hoffmann, '(The) Tales of Hoffmann' (1989 Digital Remaster): Belle nuit, ô nuit d'amour (Barcarolle)" by Jeannine Collard, André Cluytens, Elisabeth Schwarzkopf, Orchestre De La Société Des Concerts Du Conservatoire was released on 2003. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 37 in Classical Heartbreakers by Various Artists. Les Contes d'Hoffmann, '(The) Tales of Hoffmann' (1989 Digital Remaster): Belle nuit, ô nuit d'amour (Barcarolle) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Contes d'Hoffmann, '(The) Tales of Hoffmann' (1989 Digital Remaster): Belle nuit, ô nuit d'amour (Barcarolle) by Jeannine Collard, André Cluytens, Elisabeth Schwarzkopf, Orchestre De La Société Des Concerts Du Conservatoire is Larghetto (rather broadly), since this song has a tempo of 63 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54 / Scene 3: "Du bist verflucht" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Salome, Op. 54 / Scene 2: Laßt den Propheten herauskommen | Richard Strauss, Cheryl Studer, Clemens Bieber, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | C Minor | 0 | 5A | 64 BPM | ||
Rusalka, Op. 114 / Act 3: Bílá moje lani! Bílá moje lani! | Antonín Dvořák, Ben Heppner, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Minor | 4 | 10A | 80 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | F Minor | 1 | 4A | 84 BPM | ||
Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt" | Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 83 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus | Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | B♭ Major | 2 | 6B | 48 BPM | ||
Debussy: Ariettes oubliées, CD 63b, L. 60: No. 2, Il pleure dans mon coeur (Second Version) | Claude Debussy, Sabine Devieilhe, Alexandre Tharaud | A♭ Minor | 0 | 1A | 63 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM | ||
Fauré: 5 Mélodies de Venise, Op. 58: No. 1, Mandoline | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM |