"The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus" by Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé was released on 2008. With this song being about 5 minutes long, at 4:55, "The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus" by Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 60 in Elgar Oratorios by Sir Edward Elgar, Hallé, Sir Mark Elder. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Dream of Gerontius, Op. 38, Pt.1: Sanctus fortis, Sanctus Deus by Sir Edward Elgar, Paul Groves, Sir Mark Elder, Hallé is Lento (slowly), since this song has a tempo of 48 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Seule au milieu de nous | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs, Florian Sempey, Luc Bertin-Hugault | A Major | 1 | 11B | 81 BPM | ||
In Memoriam Dylan Thomas: Do Not Go Gentle into that Good Night | Igor Stravinsky, Robert Tear, Ensemble Intercontemporain, Pierre Boulez | E Minor | 0 | 9A | 96 BPM | ||
Gounod : Faust : Act 1 "Ah! Paresseuse fille" [Faust, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | A Major | 0 | 11B | 113 BPM | ||
Frauenliebe und -leben Op. 42: 2. Er, der Herrlichste von allen | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Jenufa / Act 3: Odesli | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Major | 2 | 6B | 82 BPM | ||
Lohengrin, WWV 75 / Act I: "Seht hin! Sie naht, die hart Beklagte!" | Richard Wagner, Kurt Moll, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 137 BPM | ||
A Charm of Lullabies, Op. 41: A Cradle Song (Arr. C. Matthews for voice and orchestra) | Benjamin Britten, Catherine Wyn-Rogers, Royal Northern Sinfonia, Steuart Bedford | G Major | 3 | 9B | 130 BPM | ||
Aida / Act 1: Possente, possente Fthà | Giuseppe Verdi, Lucia Valentini Terrani, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A♭ Major | 0 | 4B | 81 BPM |