"The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters" by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1996. Since The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 15 in Bartók: The Miraculous Mandarin by Béla Bartók, Chicago Symphony Chorus, Chicago Symphony Orchestra, Duain Wolfe, Pierre Boulez. The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Maestoso: The Mandarin Enters by Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
L'Oiseau de feu, K010: IV. Danse de l’oiseau de feu | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | D♭ Major | 2 | 3B | 108 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Agitato: Again, the Frightened Tramps Discuss How to Eliminate the Mandarin | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A Minor | 1 | 8A | 71 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Enigma Variations: Variation VI. Ysobel - Andantino | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Major | 0 | 8B | 104 BPM | ||
Printemps (arr. H. Busser for orchestra): II. Modere | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | A Major | 3 | 11B | 95 BPM | ||
Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto | Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 84 BPM | ||
Symphony No.4 In G: 2. In gemächlicher Bewegung. Ohne Hast | Gustav Mahler, Cleveland Orchestra, Pierre Boulez, William Preucil | C Major | 0 | 8B | 129 BPM | ||
Wagner: Die Walküre, WWV 86B, Act 3: The Ride of the Valkyries | Richard Wagner, Daniel Barenboim, Chicago Symphony Orchestra | B Minor | 3 | 10A | 93 BPM |