"Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto" by Leonard Bernstein, New York Philharmonic was released on 1961. The duration of Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto is about 3 minutes long, at 3:03. Based on our data, "Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 15 in Bernstein: Symphonic Dances from "West Side Story" & Symphonic Suite from the Film "On The Waterfront" (Remastered) by Leonard Bernstein. Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" - Allegretto by Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 117 BPM | ||
The Firebird Suite (1919 Version): Lullaby - Remastered | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 58 BPM | ||
Lohengrin, WWV 75: Prelude To Act III | Richard Wagner, Wiener Philharmoniker, Karl Böhm | G Major | 3 | 9B | 120 BPM | ||
Cuban Overture | George Gershwin, Chicago Symphony Orchestra, James Levine | G Major | 4 | 9B | 98 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Symphony No. 3 "Kaddish": III. "Kaddish 3": Allegro vivo, con gioia | Leonard Bernstein, Montserrat Caballé, Michael Wager, Vienna Boys' Choir, Wiener Jeunesse-Chor, Israel Philharmonic Orchestra | F Minor | 1 | 4A | 78 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
Symphony No. 2 "The Age of Anxiety", Pt. 2: The Epilogue. L'istesso tempo | Leonard Bernstein, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 135 BPM |