"Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6" by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker had its release date on September 7, 2009. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Symphony No.2, Seven Deadly Sins etc. by Kurt Weill, Various Artists. The song's track number on the album is #15 out of 38 tracks. Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 by Kurt Weill, Mariss Jansons, Cochran, Berliner Philharmoniker has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aufstieg und Fall der Stadt Mahagonny - Suite aus der oper: No. 6 being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
Die Dreigroschenoper: Akt III, Der reitende Bote ("Horch, horch, horch") | Kurt Weill, Trude Hesterberg, Erich Schellow, Willy Trenk-Trebitsch, Johanna von Koczian, Wilhelm Brückner-Rüggeberg | F Minor | 1 | 4A | 98 BPM | ||
Die Dreigroschenoper: Grabschrift | Kurt Weill, Rolf Boysen, René Kollo, Rias-Sinfonietta Berlin, John Mauceri | G Major | 1 | 9B | 77 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Chamber Orchestra, Raymond Leppard | C Minor | 3 | 5A | 147 BPM | ||
Jazz Suite No.2: 1. March | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | F Major | 5 | 7B | 119 BPM | ||
Verschwiegene Liebe - Voice | Hugo Wolf, Barbra Streisand | D Major | 0 | 10B | 91 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Einleitung | Richard Wagner, Stephen Gould, Ralf Lukas, Andrew Shore, Hans-Peter Konig, Linda Watson, Edith Haller, Christa Mayer, Simone Schroder, Martina Dike, Fionnuala McCarthy, Ulrike Helzel, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Christian Thielemann | D Minor | 2 | 7A | 157 BPM |