"Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4" by Benjamin Britten, English Chamber Orchestra was released on 1969. The duration of Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 is about 3 minutes long, at 3:06. Based on our data, "Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 16 in Britten: The Young Person's Guide to the Orchestra; Simple Symphony, etc. by Benjamin Britten, London Symphony Orchestra, English Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4's popularity is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 by Benjamin Britten, English Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | E Minor | 0 | 9A | 79 BPM | ||
Song to the moon | Antonín Dvořák, Ophélie Gaillard, Tim Redmond, Royal Philharmonic Orchestra | B♭ Major | 2 | 6B | 79 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Valse in B Major | Benjamin Britten, Matthew Jones, Annabel Thwaite | B Major | 0 | 1B | 93 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Vivaldi: Violin Concerto in F Major, RV 293 "L'autunno" (No. 3 from "Il cimento dell'armonia e dell'inventione", Op. 8): II. Adagio molto | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | B Minor | 0 | 10A | 112 BPM | ||
Grand Pianola Music: On the Great Divide | John Adams | E♭ Major | 2 | 5B | 84 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
Consolations, S172/R12: No. 2. Un poco piu mosso | Franz Liszt, Philip Thomson | B Major | 0 | 1B | 76 BPM |