"Tomasi: Trumpet Concerto: II. Nocturne" by Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos was released on January 1, 1993. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos's "Haydn, Hummel, Tomasi & Jolivet: Trumpet Concertos" album is number 3 out of 10. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Tomasi: Trumpet Concerto: II. Nocturne is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tomasi: Trumpet Concerto: II. Nocturne by Henri Tomasi, Sergei Nakariakov, Orchestre de Chambre de Lausanne, Jesús López-Cobos to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
I. Andante - Allegro | Henri Tomasi, Saarländisches Staatsorchester, Asya Fateyeva, Sébastien Rouland | C Major | 2 | 8B | 107 BPM | ||
Quintet No. 1 in B-Flat Minor: I. Moderato | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 68 BPM | ||
Trombone Concerto in B-Flat Major: I. Allegro vivace | Nikolai Rimsky-Korsakov, Christian Lindberg, Tokyo Kosei Wind Orchestra, Chikara Imamura | C Minor | 0 | 5A | 72 BPM | ||
Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
Romances, Op. 94: I. Nicht Schnell | James Markey | A Minor | 0 | 8A | 66 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
Concert champêtre: III. Bourrée | Henri Tomasi, Ensemble Trielen | A Minor | 1 | 8A | 77 BPM | ||
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | G Minor | 2 | 6A | 160 BPM | ||
Les soirees musicales: No. 8. La danza, "Tarantella napoletana" (arr. for trombone and brass quintet) | Gioachino Rossini, James Markey, Joseph Alessi, Extension Ensemble Brass Quintet | D Minor | 3 | 7A | 162 BPM |