"Quintet No. 1 in B-Flat Minor: I. Moderato" by Victor Ewald, Center City Brass Quintet was released on September 1, 2002. With this song being about 5 minutes long, at 5:12, "Quintet No. 1 in B-Flat Minor: I. Moderato" by Victor Ewald, Center City Brass Quintet is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 20 in Arnold, Ewald, Bozza, Maurer, Dahl & Clavert: Works for Brass Ensemble by Center City Brass Quintet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Quintet No. 1 in B-Flat Minor: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quintet No. 1 in B-Flat Minor: I. Moderato by Victor Ewald, Center City Brass Quintet is Adagio (slowly with great expression), since this song has a tempo of 68 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Willisabethan Sarahnade: My Yorker | Klaus Wallendorf, Sarah Willis, Kotowa Machida, Philip Mayers | F Major | 0 | 7B | 117 BPM | ||
Festive Overture, Op. 96 | US Marine Band | B♭ Major | 3 | 6B | 81 BPM | ||
Trombone Concerto-Allego | Joseph Alessi and Philip Smith | F Minor | 1 | 4A | 99 BPM | ||
Toccata and Fugue in D Minor, BWV 565 | Szeged Trombone Ensemble | D Minor | 1 | 7A | 192 BPM | ||
Suite from "Porgy and Bess" (Arr. for Brass Quintet): VII. In ain't Necessarily So | George Gershwin, Center City Brass Quintet | E♭ Major | 1 | 5B | 171 BPM | ||
4 Scottish Dances, Op. 59: No. 3, Allegretto | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | G Minor | 0 | 6A | 86 BPM | ||
An Original Suite: III. Finale | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 128 BPM | ||
Brass Quintet No. 1 in B-Flat Minor, Op. 5: III. Allegro moderato | Victor Ewald, Philadelphia Orchestra | B♭ Major | 0 | 6B | 142 BPM | ||
Lincolnshire Posy: VI. The Lost Lady Found | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | A Minor | 3 | 8A | 108 BPM | ||
A Moorside Suite, H. 173: II. Nocturne | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | G Minor | 0 | 6A | 68 BPM |