"Suite from "Porgy and Bess" (Arr. for Brass Quintet): VII. In ain't Necessarily So" by George Gershwin, Center City Brass Quintet was released on May 1, 2000. The duration of Suite from "Porgy and Bess" (Arr. for Brass Quintet): VII. In ain't Necessarily So is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Suite from "Porgy and Bess" (Arr. for Brass Quintet): VII. In ain't Necessarily So's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "On the Town". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. The popularity of Suite from "Porgy and Bess" (Arr. for Brass Quintet): VII. In ain't Necessarily So is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite from "Porgy and Bess" (Arr. for Brass Quintet): VII. In ain't Necessarily So by George Gershwin, Center City Brass Quintet having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | D♭ Major | 1 | 3B | 118 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 2 in C Minor, BWV 847: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Miss Melanie | Ronald Binge, Pro Arte Orchestra, George Weldon | A Major | 1 | 11B | 126 BPM | ||
Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | ||
Habanera | Emmanuel Chabrier, Janina Fialkowska | A Major | 5 | 11B | 100 BPM | ||
3 Preludes: I. Allegro ben ritmato e deciso | George Gershwin, Jon Nakamatsu | C Minor | 2 | 5A | 98 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM |