"Brass Quintet No. 1 in B-Flat Minor, Op. 5: III. Allegro moderato" by Victor Ewald, Philadelphia Orchestra was released on March 30, 2010. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Tchaikovsky, P.I.: Romeo and Juliet / Serenade / Francesca da Rimini / Ewald, V.: Brass Quintets Nos. 1 and 3". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Finland. Based on our statistics, Brass Quintet No. 1 in B-Flat Minor, Op. 5: III. Allegro moderato's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Brass Quintet No. 1 in B-Flat Minor, Op. 5: III. Allegro moderato by Victor Ewald, Philadelphia Orchestra having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Second Suite for Military Band, Op. 28 No. 2: III. Song of the Blacksmith | Gustav Holst, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | D Minor | 2 | 7A | 103 BPM | ||
Rissolty Rossolty (arr. for brass ensemble by Jarle Storløkken) | Ruth Crawford Seeger, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Borage | The Philip Jones Brass Ensemble | F Minor | 2 | 4A | 129 BPM | ||
Quintet No. 3: III. Andante | Victor Ewald, Or Notes Brass Quintet | B♭ Minor | 0 | 3A | 77 BPM | ||
Fanfare for an Angel | James Stephenson, Chris Martin, Michael Sachs, David Bilger, Ryan Anthony | F Major | 2 | 7B | 78 BPM | ||
Tuba Suite: III. Allegro con brio | Don Haddad, David Zerkel, Paolo Andre Gualdi | E♭ Major | 0 | 5B | 135 BPM | ||
1st Suite in E-Flat Major, Op. 28 No. 1, H. 105: I. Chaconne | Gustav Holst, Showa Wind Symphony, Eugene Migliaro Corporon | D♭ Major | 1 | 3B | 74 BPM | ||
English Dances, Set 1, Op. 27 (Arr M. Johnstone): II. Vivace | Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin | F Major | 3 | 7B | 130 BPM | ||
Brass Quintet No. 4, Op. 8: II. Allegro | Victor Ewald, Stockholm Chamber Brass | E Major | 0 | 12B | 75 BPM | ||
Toccata | Girolamo Frescobaldi, Canadian Brass, Frederic Mills, Ronald Romm, Graeme Page, Eugene Watts, Charles Daellenbach | E♭ Major | 2 | 5B | 123 BPM |