Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin made "English Dances, Set 1, Op. 27 (Arr M. Johnstone): II. Vivace" available on March 1, 2012. With English Dances, Set 1, Op. 27 (Arr M. Johnstone): II. Vivace being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 19 out of 22 in Arnold for Band by Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin. Based on our statistics, English Dances, Set 1, Op. 27 (Arr M. Johnstone): II. Vivace's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of English Dances, Set 1, Op. 27 (Arr M. Johnstone): II. Vivace by Malcolm Arnold, Maurice Johnstone, Dallas Wind Symphony, Jerry Junkin is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colonel Bogey - From "The Bridge On The River Kwai" | Kenneth J. Alford, Malcolm Arnold, London Festival Orchestra, Stanley Black | B♭ Major | 5 | 6B | 114 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
First Suite in E-Flat Major, Op. 28 No. 1, H. 105: II. Intermezzo | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 1 | 5A | 141 BPM | ||
Lincolnshire Posy: III. Rufford Park Poachers | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | F Minor | 0 | 4A | 79 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
3 Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Céline Moinet, Florian Uhlig | A Major | 5 | 11B | 73 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |