Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari made "Scaramouche, Op. 165c: I. Vif" available on July 1, 1991. The duration of Scaramouche, Op. 165c: I. Vif is about 3 minutes long, at 3:05. Based on our data, "Scaramouche, Op. 165c: I. Vif" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sohre Rahbari's "Milhaud: Scaramouche / Glazunov: Saxophone Concerto / Ibert: Concertino Da Camera" album is number 1 out of 9. Based on our statistics, Scaramouche, Op. 165c: I. Vif's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Scaramouche, Op. 165c: I. Vif by Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM | ||
L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Piano Quartet in E Flat Major, Op.47: Piano Quartet in E Flat Major, Op.47: III. Andante cantabile | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | B♭ Major | 0 | 6B | 74 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
After You, Mr. Gershwin ! | Bela Kovacs, André Moisan, Jean Saulnier | E♭ Major | 0 | 5B | 113 BPM | ||
Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 3. Scherzo (Presto) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | D Major | 2 | 10B | 120 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM |