"Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme" by Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra was released on January 1, 2000. With Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "No Limit". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. The popularity of Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Theme by Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra having a テンポ of 160 with a half-time of 80 テンポ and a double-time of 320 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 3/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in F Major, Op. 1, No. 1 (arr. D. Little and R. Nelson): III. Largo | Benedetto Marcello, Richard Nelson, Donald Little, David Zerkel, Paolo Andre Gualdi | D Major | 0 | 10B | 135 BPM | ||
Requerdos De Girona 1. ”Locura En Cadaques” II | Christian Lindberg, Ian Bousfield, Joseph Alessi, Peter Moore | A♭ Major | 2 | 4B | 72 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Flute Sonata in D Major, Op. 94: I. Moderato | Sergei Prokofiev, Sharon Bezaly, Vladimir Ashkenazy | A Major | 1 | 11B | 85 BPM | ||
Six Studies in English Folk Song: No. 5, Andante tranquillo | Joseph Bartz | F Minor | 0 | 4A | 72 BPM | ||
Tableaux de Provence: III. La Boumiano | Paule Maurice, Dominic Childs, Simon Callaghan | G Minor | 1 | 6A | 141 BPM | ||
Short Cuts: I. Flute | John Carmichael, Susan Torke, Antony Gray | A Minor | 0 | 8A | 49 BPM | ||
アリア 作品 7 | Jean-Michel Damase, 水谷上総, 大堀晴津子 | F♯ Major | 0 | 2B | 69 BPM | ||
Arnold: Fantasy for trombone I | Malcolm Arnold, Joseph Alessi | B♭ Major | 3 | 6B | 85 BPM |