Zoltán Kodály, Pécsi Testvérvárosok T. Általános Isk. Kórusa made "Táncnóta, K.68" available on September 1, 1997. The duration of Táncnóta, K.68 is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Táncnóta, K.68's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Hazádnak rendületlenül (Zenei válogatás ünnepi alkalmakra)" album is number 25 out of 33. In terms of popularity, Táncnóta, K.68 is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Táncnóta, K.68 by Zoltán Kodály, Pécsi Testvérvárosok T. Általános Isk. Kórusa to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
Variations on a Hungarian Folksong "The Peacock": XII. Adagio | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | G Minor | 0 | 6A | 72 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Soleils de septembre | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 0 | 10B | 71 BPM | ||
Symphony in C Major, Op. 46: I. Allegro moderato - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | E Minor | 0 | 9A | 174 BPM | ||
L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM | ||
V mlhach (In the Mists), JW VIII/22: III. Andantino | Leoš Janáček, Andrew Rangell | B Major | 0 | 1B | 83 BPM |