"Variations on a Hungarian Folksong "The Peacock": XII. Adagio" by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra was released on October 1, 1990. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain's "Kodaly: Hary Janos Suite" album is number 20 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Variations on a Hungarian Folksong "The Peacock": XII. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Hungarian Folksong "The Peacock": XII. Adagio by Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Dances from Galánta for Orchestra: I. Lento - maestoso | Zoltán Kodály, Lawrence Foster, Orquestra Gulbenkian, Esther Georgie | A Minor | 0 | 8A | 49 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Symphony No. 1 in D Major "Titan": Blumine (Original second movement) | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 0 | 8B | 64 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Concerto No. 1 pour violon et orchestre: I. Allegro | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 2 | 9B | 116 BPM |