Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio)

Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker
Mozart: The Da Ponte Operas
1:37 1988年10月31日
テンポ
106
キー
C Major
キャメロットミュージックキー
8B

リンクを埋め込む

共有

Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) - Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker 情報

音響性
98%
ダンサビリティ
29%
エネルギー
16%
手段性
40%
活気
50%
ラウドネス
69%
話し言葉
3%
価数
52%
人気
ラウドネス
-18.459 dB

まとめ

Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker made "Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio)" available on October 31, 1988. With Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 11 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) テンポ

We consider the tempo marking of Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) キー

The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Così fan tutte, K. 588 / Act I: Così fan tutte, K. 588 / Act I: "Signora Dorabella"Wolfgang Amadeus Mozart, Mojca Erdmann, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-SéguinF Major17B76 BPM
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto by Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da PonteLe Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E DispostoDonato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da PonteB♭ Major16B171 BPM
Don Pasquale, Act II Quinta Scena: Ah! E rimasto là impietrato (Malatesta/Pasquale/Norina/Ernesto) by Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Mirella Freni/Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia OrchestraDon Pasquale, Act II Quinta Scena: Ah! E rimasto là impietrato (Malatesta/Pasquale/Norina/Ernesto)Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Mirella Freni/Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia OrchestraE Major212B75 BPM
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 4: Aria - La vendetta, oh, la vendetta by Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael HalaszDie Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 4: Aria - La vendetta, oh, la vendettaWolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael HalaszD Major310B135 BPM
La traviata / Act 1: La traviata / Act 1: "Ebben? che diavol fate?"Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo RizziA♭ Major24B168 BPM
Madama Butterfly / Act 2: Ora a noi. Sedete qui. by Giacomo Puccini, Robert Kerns, Mirella Freni, Wiener Philharmoniker, Herbert von KarajanMadama Butterfly / Act 2: Ora a noi. Sedete qui.Giacomo Puccini, Robert Kerns, Mirella Freni, Wiener Philharmoniker, Herbert von KarajanB♭ Major06B168 BPM
Verdi: Aida, Act 2: Verdi: Aida, Act 2: "Pietà ti prenda del mio dolor" (Amneris, Aida)Giuseppe Verdi, Riccardo Muti, New Philharmonia OrchestraF Minor24A83 BPM
Die Fledermaus / Act 1: Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir"Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André PrevinG Major19B131 BPM
Le nozze di Figaro, K.492 / Act 2: Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete"Wolfgang Amadeus Mozart, Tatiana Troyanos, Anthony Laciura, Paul Plishka, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James LevineG Major19B82 BPM
La traviata / Act 2: La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!"Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo RizziC Major28B84 BPM
ISRC
GBAYC9004401
レコードレーベル
L-M Records/RCA Records