Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker made "Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio)" available on October 31, 1988. With Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 11 out of 214. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Don Giovanni, K.527, Act I, Scena quinta: Venite pur avanti (Leporello/Don Giovanni/Donna Elvira/Don Ottavio) by Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588 / Act I: "Signora Dorabella" | Wolfgang Amadeus Mozart, Mojca Erdmann, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 1 | 7B | 76 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 8: Recitativo - Tutto E Disposto | Donato Di Stefano, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Ingrid Kertesi, Natale de Carolis, Wolfgang Amadeus Mozart, Lorenzo Da Ponte | B♭ Major | 1 | 6B | 171 BPM | ||
Don Pasquale, Act II Quinta Scena: Ah! E rimasto là impietrato (Malatesta/Pasquale/Norina/Ernesto) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Mirella Freni/Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 4: Aria - La vendetta, oh, la vendetta | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 3 | 10B | 135 BPM | ||
La traviata / Act 1: "Ebben? che diavol fate?" | Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 2 | 4B | 168 BPM | ||
Madama Butterfly / Act 2: Ora a noi. Sedete qui. | Giacomo Puccini, Robert Kerns, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 168 BPM | ||
Verdi: Aida, Act 2: "Pietà ti prenda del mio dolor" (Amneris, Aida) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | F Minor | 2 | 4A | 83 BPM | ||
Die Fledermaus / Act 1: "Mein Herr, was dächten Sie von mir" | Johann Strauss II, Kiri Te Kanawa, Richard Leech, Tom Krause, Wiener Philharmoniker, André Previn | G Major | 1 | 9B | 131 BPM | ||
Le nozze di Figaro, K.492 / Act 2: "Voi signor, che giusto siete" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Anthony Laciura, Paul Plishka, Thomas Hampson, Dawn Upshaw, Kiri Te Kanawa, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 82 BPM | ||
La traviata / Act 2: "Annina, donde vieni?" - "Oh mio rimorso!" | Giuseppe Verdi, Rolando Villazón, Diane Pilcher, Wiener Philharmoniker, Carlo Rizzi | C Major | 2 | 8B | 84 BPM |