Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi made "La traviata / Act 1: "Ebben? che diavol fate?"" available on January 1, 2005. With La traviata / Act 1: "Ebben? che diavol fate?" being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: La Traviata by Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker. The song's track number on the album is #6 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. The popularity of La traviata / Act 1: "Ebben? che diavol fate?" is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since La traviata / Act 1: "Ebben? che diavol fate?" by Giuseppe Verdi, Salvatore Cordella, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi has a tempo of 168 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With La traviata / Act 1: "Ebben? che diavol fate?" being at 168 テンポ, the half-time would be 84 テンポ with a double-time of 336 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madama Butterfly / Act 1: Ieri son salita tutta sola in segreto alla Missione | Giacomo Puccini, Mirella Freni, Wiener Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 61 BPM | ||
Turandot / Act 1: Gira la cote! (Coro, Calaf, Liù) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | B Minor | 4 | 10A | 137 BPM | ||
Klipp-Klapp, Galopp, Op. 466 | Johann Strauss II, Daniel Barenboim, Wiener Philharmoniker | F Major | 4 | 7B | 174 BPM | ||
La Bohème / Act 1: Pensier profondo" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | G Minor | 1 | 6A | 171 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Lohengrin, WWV 75 / Act 3: "Atmest du nicht mit mir die süßen Düfte?" | Richard Wagner, Plácido Domingo, Jessye Norman, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 80 BPM | ||
La Bohème / Act 1: "Io resto" - Live | Giacomo Puccini, Rolando Villazón, Boaz Daniel, Stéphane Degout, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | F♯ Major | 1 | 2B | 110 BPM | ||
La traviata / Act 3: "Largo a quadrupede" | Giuseppe Verdi, Wiener Philharmoniker, Carlo Rizzi, Vienna State Opera Chorus, Luigi Roni | G Major | 1 | 9B | 108 BPM | ||
Turandot / Act 1: Padre! Mio padre! (Calaf, Coro, Liù, Timur) | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus | G Major | 1 | 9B | 125 BPM |