"Verdi: Aida, Act 2: "Pietà ti prenda del mio dolor" (Amneris, Aida)" by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra was released on 1974. With Verdi: Aida, Act 2: "Pietà ti prenda del mio dolor" (Amneris, Aida) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Aida by Giuseppe Verdi, Riccardo Muti. The song's track number on the album is #6 out of 55 tracks. Verdi: Aida, Act 2: "Pietà ti prenda del mio dolor" (Amneris, Aida) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Aida, Act 2: "Pietà ti prenda del mio dolor" (Amneris, Aida) by Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Aida, Act 2: "Pietà ti prenda del mio dolor" (Amneris, Aida) being at 83 テンポ, the half-time would be 42 テンポ with a double-time of 166 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 1: Voce di donna ... a te questo rosario | Amilcare Ponchielli, Alfreda Hodgson, Montserrat Caballé, Agnes Baltsa, Regolo Romani, John del Carlo, Nicolai Ghiaurov, Luciano Pavarotti, National Philharmonic Orchestra, Bruno Bartoletti | E♭ Major | 1 | 5B | 89 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Giuseppe Giacomini, Alfredo Mariotti, Philadelphia Orchestra, Riccardo Muti | F Major | 1 | 7B | 132 BPM | ||
Pagliacci / Act 2: "Presto, affrettiamoci" | Ruggero Leoncavallo, Ingvar Wixell, Vincenzo Bello, Lorenzo Saccomani, Mirella Freni, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 3 | 12B | 109 BPM | ||
Verdi: Aïda, Act 3: Aria, "O patria mia" (Aida) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 0 | 7B | 74 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) | Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 0 | 6B | 74 BPM | ||
Don Giovanni, K.527, Act I, Scena quinta: Trema, treme, o scellerato! (Tutti) | Wolfgang Amadeus Mozart, William Shimell, Riccardo Muti, Wiener Philharmoniker | C Major | 5 | 8B | 122 BPM | ||
Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Mefistofele: Act I - Perchè di là | Arrigo Boito, Riccardo Muti | C Major | 3 | 8B | 127 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
La traviata / Act 2: "Invitato a qui seguirmi" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Carlo Rizzi, Wiener Philharmoniker, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 2 | 4B | 92 BPM |