Ludwig van Beethoven, George Szell, Cleveland Orchestra's 'Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio' came out on 1962. Since Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 10 in Beethoven: Symphony No. 1, Symphony No. 6 & Overture from Egmont by Ludwig van Beethoven, George Szell. In terms of popularity, Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio by Ludwig van Beethoven, George Szell, Cleveland Orchestra is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.5 in C minor, Op.67: 3. Allegro | Ludwig van Beethoven, Concertgebouworkest, George Szell | C Major | 1 | 8B | 114 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Sinfonia Nr. 3 In Es-Flat Op. 55 "Eroica" - Finale. Allegro Molto - Poco Andante - Presto | Jordi Savall, Ludwig van Beethoven | D Major | 1 | 10B | 131 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Violin Concerto In D Major, Op. 61: III. Rondo: Allegro | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | D Major | 1 | 10B | 118 BPM | ||
Rondo a Capriccio in G Major, Op. 129, "Rage over a Lost Penny" | Ludwig van Beethoven, Jenő Jandó | G Major | 2 | 9B | 80 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM |