"Sinfonia Nr. 3 In Es-Flat Op. 55 "Eroica" - Finale. Allegro Molto - Poco Andante - Presto" by Jordi Savall, Ludwig van Beethoven was released on August 25, 2009. Sinfonia Nr. 3 In Es-Flat Op. 55 "Eroica" - Finale. Allegro Molto - Poco Andante - Presto appears to be safe for all ages as it is not explicit. The song is number 4 out of 5 in Beethoven: Sinfonia Nr. 3 "Eroica" by Jordi Savall. Based on our statistics, Sinfonia Nr. 3 In Es-Flat Op. 55 "Eroica" - Finale. Allegro Molto - Poco Andante - Presto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia Nr. 3 In Es-Flat Op. 55 "Eroica" - Finale. Allegro Molto - Poco Andante - Presto by Jordi Savall, Ludwig van Beethoven is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Sonata No. 16 in B Flat Major, II. Adagio | Maria João Pires | E♭ Major | 0 | 5B | 96 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 2, Allegro maestoso | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | D Minor | 2 | 7A | 110 BPM | ||
Suite for Strings after 12 Violin Sonatas, Op. 5: III. Badinerie. Vivace | Arcangelo Corelli, Eugene Ormandy, Philadelphia Orchestra | D♭ Minor | 2 | 12A | 145 BPM | ||
Vivaldi: Violin Concerto in E-Flat Major, Op. 8 No. 5, RV 253: I. Presto | Antonio Vivaldi, Fabio Biondi, Europa Galante | D Major | 6 | 10B | 147 BPM |