"Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)" by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner was released on February 4, 1988. Since Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Bruch: Violin Concerto No. 1 / Mendelssohn: Violin Concerto by Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) by Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
The Four Seasons - Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | C Major | 1 | 8B | 144 BPM | ||
Serenade in A Minor, Op. 75: III. (Notturno): Andante sostenuto | Max Bruch, Maxim Fedotov, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 0 | 11B | 71 BPM | ||
12 Lieder von Schubert, S. 558: No. 4, Erlkönig, D. 328 | Franz Liszt, Evgeny Kissin | G Minor | 2 | 6A | 88 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Holberg Suite, Op. 40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 86 BPM | ||
Polonaise brillante No. 1 in D Major, Op. 4 | Henryk Wieniawski, James Ehnes, Eduard Laurel | D Major | 2 | 10B | 99 BPM |