Henryk Wieniawski, James Ehnes, Eduard Laurel's 'Polonaise brillante No. 1 in D Major, Op. 4' came out on January 1, 2000. With this song being about 5 minutes long, at 5:26, "Polonaise brillante No. 1 in D Major, Op. 4" by Henryk Wieniawski, James Ehnes, Eduard Laurel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #2 out of 12 tracks. Based on our data, Canada was the country where this track was produced or recorded. In terms of popularity, Polonaise brillante No. 1 in D Major, Op. 4 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Polonaise brillante No. 1 in D Major, Op. 4 by Henryk Wieniawski, James Ehnes, Eduard Laurel has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Polonaise brillante No. 1 in D Major, Op. 4 being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Nurit Stark, Cédric Pescia | G Major | 1 | 9B | 89 BPM | ||
Caprice No. 15 in E Minor: Posato | Niccolò Paganini, James Ehnes | G Major | 2 | 9B | 88 BPM | ||
Sonatina in G major for Violin and Piano Op.100 B183 - Scherzo: molto vivace-trio (Dvorák) | James Ehnes | G Major | 1 | 9B | 124 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro e agitato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 98 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Introduction et rondo capriccioso | Camille Saint-Saëns, James Ehnes, Orchestre Symphonique De Québec, Yoav Talmi | G Minor | 2 | 6A | 89 BPM | ||
Salut d'amour - Antonio Stradivari, 1709 'La Pucelle' | Edward Elgar, Eduard Laurel, James Ehnes | C Major | 0 | 8B | 88 BPM | ||
Symphonie espagnole, Op. 21: V. Rondo | Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 109 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Dvorák: 8 Humoresques, Op. 101, B. 187: No. 7 in G-Flat Major | Antonín Dvořák, Moura Lympany | B Major | 0 | 1B | 70 BPM |