"O mio babbino caro from Gianni Schicchi - Vocal" by Giacomo Puccini, Giuseppe Patanè, Munich Radio Orchestra was released on 1949. The duration of O mio babbino caro from Gianni Schicchi - Vocal is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. O mio babbino caro from Gianni Schicchi - Vocal's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Greatest Hits: Opera" album is number 5 out of 22. On top of that, United States appears to be the country where this track was created. The popularity of O mio babbino caro from Gianni Schicchi - Vocal is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O mio babbino caro from Gianni Schicchi - Vocal by Giacomo Puccini, Giuseppe Patanè, Munich Radio Orchestra to be Vivace (lively and fast) because the track has a tempo of 174 テンポ, a half-time of 87テンポ, and a double-time of 348 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40 / Act 1: Ombra mai fù | George Frideric Handel, Danielle de Niese, The English Concert, Harry Bicket | E Major | 1 | 12B | 58 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Nessun Dorma (from Turandot) | Katherine Jenkins, The Prague Symphonia, Anthony Ingliss, Rudolfus Choir | B Major | 3 | 1B | 92 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Requiem In D Minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Wilma Lipp, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | D Minor | 2 | 7A | 74 BPM | ||
La Bohème / Act 4: "C'è Mimì..." - Live | Giacomo Puccini, Nicole Cabell, Anna Netrebko, Rolando Villazón, Stéphane Degout, Boaz Daniel, Vitalij Kowaljow, Bavarian Radio Symphony Orchestra, Bertrand de Billy | E Minor | 1 | 9A | 82 BPM | ||
Orff: Carmina Burana, Pt. 4, Blanziflor et Helena: Ave formosissima | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | E Minor | 3 | 9A | 142 BPM |