"Nessun Dorma (from Turandot)" by Katherine Jenkins, The Prague Symphonia, Anthony Ingliss, Rudolfus Choir was released on January 1, 2006. The duration of Nessun Dorma (from Turandot) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Nessun Dorma (from Turandot)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Katherine Jenkins's "Katherine Jenkins / From The Heart" album is number 6 out of 14. In terms of popularity, Nessun Dorma (from Turandot) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nessun Dorma (from Turandot) by Katherine Jenkins, The Prague Symphonia, Anthony Ingliss, Rudolfus Choir to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
House Of No Regrets | Ennio Morricone, Katherine Jenkins, The Czech Film Orchestra, James Banbury | A Minor | 4 | 8A | 92 BPM | ||
Au Fond Du Temple Saint (Les Pècheurs de Perles) | Jussi Björling, RCA Victor Orchestra, Robert Merrill | E♭ Major | 4 | 5B | 93 BPM | ||
Sweetest Love | Morgan Pochin, Johann Sebastian Bach, James Morgan, Juliette Pochin, Katherine Jenkins, The Arcadian Ensemble | D Major | 1 | 10B | 75 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Nello specchio (In The Mirror) | Yanni, Katherine Jenkins, Nathan Pacheco | F Major | 5 | 7B | 83 BPM | ||
Vide cor meum | Katherine Jenkins, Rhys Meirion, The Czech Film Orchestra, David Rowland | A Major | 4 | 11B | 80 BPM | ||
Peer Gynt, Op. 23: Solveigs sang (Solveig´s Song) | Edvard Grieg, Yoshikazu Mera, Japan Philharmonic Orchestra, Shigeo Genda | E♭ Major | 0 | 5B | 90 BPM |