"Requiem In D Minor, K.626: 1. Introitus: Requiem" by Wolfgang Amadeus Mozart, Wilma Lipp, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein was released on January 1, 1962. Requiem In D Minor, K.626: 1. Introitus: Requiem is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Requiem" album is number 1 out of 14. Requiem In D Minor, K.626: 1. Introitus: Requiem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem In D Minor, K.626: 1. Introitus: Requiem by Wolfgang Amadeus Mozart, Wilma Lipp, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Wolfgang Amadeus Mozart, Caroline Maria Petrig/Christel Borchers/Peter Straka/Mathias Hölle/Philharmonischer Chor München/Münchner Philharmoniker/Sergiù Celibidache, Philharmonischer Chor München, Sergiu Celibidache, Munich Philharmonic Orchestra | G Major | 0 | 9B | 156 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, YUNDI, Berliner Philharmoniker, Seiji Ozawa | E Major | 0 | 12B | 79 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act III: "Marie Theres'! Hab' mir's gelobt" (Octavian, Marschallin, Sophie) | Richard Strauss, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich-Randall, Herbert von Karajan, Philharmonia Orchestra | D♭ Major | 2 | 3B | 94 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
Persischer Marsch, Op.289 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 207 BPM | ||
Toccata and Fugue in D Minor, BWV 565: II. Fugue | Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker | B♭ Major | 0 | 6B | 76 BPM | ||
Tristan und Isolde - Concert Version: Liebestod | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 94 BPM | ||
Parsifal, WWV 111 / Act III: Höchsten Heiles Wunder! ... Erlösung dem Erlöser! | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | D Major | 0 | 10B | 136 BPM | ||
Requiem in D Minor, K. 626: 6. Benedictus - Live | Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | B♭ Major | 1 | 6B | 93 BPM |