"La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui" by Giuseppe Verdi, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti had its release date on 1982. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: La traviata by Giuseppe Verdi, Riccardo Muti, Philharmonia Orchestra. The song's track number on the album is #9 out of 42 tracks. La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui by Giuseppe Verdi, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With La traviata, Act I, Scena, Aria e Finale: Ah fors'è lui being at 74 テンポ, the half-time would be 37 テンポ with a double-time of 148 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
La Traviata / Act 2: "Avrem lieta di maschere la notte" | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 84 BPM | ||
Rigoletto / Act 3: "La donna è mobile" | Giuseppe Verdi, Neil Shicoff, Renato Bruson, Robert Lloyd, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | A Major | 2 | 11B | 115 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | G Major | 2 | 9B | 69 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Aida (1986 Digital Remaster): Triumphal Chorus & Grand March (Act II) [Gloria all'Egitto - Triumphal March - Vieni, o guerriero vindice] | Giuseppe Verdi, Chorus Of The Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti | E♭ Major | 3 | 5B | 124 BPM | ||
Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM |