Giuseppe Verdi, Chorus Of The Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti's 'Aida (1986 Digital Remaster): Triumphal Chorus & Grand March (Act II) [Gloria all'Egitto - Triumphal March - Vieni, o guerriero vindice]' had a release date set for July 11, 2005. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Chorus of Hebrew Slaves - Favourite Choruses & Overtures by Giuseppe Verdi, Sir Richard Armstrong/Riccardo Muti, Riccardo Muti. The song's track number on the album is #16 out of 16 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Aida (1986 Digital Remaster): Triumphal Chorus & Grand March (Act II) [Gloria all'Egitto - Triumphal March - Vieni, o guerriero vindice]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida (1986 Digital Remaster): Triumphal Chorus & Grand March (Act II) [Gloria all'Egitto - Triumphal March - Vieni, o guerriero vindice] by Giuseppe Verdi, Chorus Of The Royal Opera House, Covent Garden, New Philharmonia Orchestra, Riccardo Muti has a tempo of 124 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Aida (1986 Digital Remaster): Triumphal Chorus & Grand March (Act II) [Gloria all'Egitto - Triumphal March - Vieni, o guerriero vindice] being at 124 テンポ, the half-time would be 62 テンポ with a double-time of 248 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Orpheus-Quadrille, Op. 236 | Johann Strauss II, Georges Prêtre, Wiener Philharmoniker | G Major | 6 | 9B | 109 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM | ||
Aida: Preludio | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | B Minor | 1 | 10A | 137 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM |