"Rigoletto / Act 3: "La donna è mobile"" by Giuseppe Verdi, Neil Shicoff, Renato Bruson, Robert Lloyd, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli had its release date on January 1, 1985. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Rigoletto - highlights by Giuseppe Verdi, Neil Shicoff, Renato Bruson, Edita Gruberova, Brigitte Fassbaender, William Matteuzzi, Geoffrey Moses, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli. The song's track number on the album is #13 out of 15 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Rigoletto / Act 3: "La donna è mobile" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Rigoletto / Act 3: "La donna è mobile" by Giuseppe Verdi, Neil Shicoff, Renato Bruson, Robert Lloyd, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rigoletto / Act 3: "La donna è mobile" being at 115 テンポ, the half-time would be 58 テンポ with a double-time of 230 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orff: Carmina Burana: Conclusion, Fortuna Imperatrix Mundi, No. 25 "O Fortuna" - Chorus | Carl Orff, Janice Watson, James Bowman, Donald Maxwell, Bournemouth Symphony Chorus, Waynflete Singers, Bournemouth Symphony Orchestra, Highcliffe Junior Choir, David Hill | D Minor | 2 | 7A | 133 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | ||
The Merry Widow, Act II: Vilja-Lied | Franz Lehár, Viktor Léon, Leo Stein, Adrian Ross, Vladimir Karmirski, Melbourne Symphony Orchestra, Yvonne Kenny | G Major | 2 | 9B | 80 BPM | ||
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Verdi: La traviata, Act 2: "Ogni suo aver tal femmina" (Alfredo, Gaston, Baron, Doctor, Marquis, Chorus) | Giuseppe Verdi, Francesco Albanese, Alberto Albertini, Coro Cetra, Gabriele Santini, Mariano Caruso, Mario Zorgniotti, Orchestra Sinfonica della RAI | C Major | 3 | 8B | 110 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM |