"Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie" by Orquesta Filarmónica De Londres, Harry Zinman, C. Cantelu, J. Gastani, D. White, T. Cameron was released on March 22, 1982. The duration of Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie is about 3 minutes long, at 3:02. Based on our data, "Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orquesta Filarmónica De Londres, Harry Zinman's "Mozart: Misa de Coronación, K 317 - Concierto de la Coronación No. 26, K. 537" album is number 1 out of 9. The popularity of Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Misa No. 14 para orquesta y cantantes in C Major, K. 317, "Misa de Coronación": No. 1, Kyrie by Orquesta Filarmónica De Londres, Harry Zinman, C. Cantelu, J. Gastani, D. White, T. Cameron to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, G. 500: IV. Presto | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | D Major | 3 | 10B | 91 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Te Deum in D Major, MH 829: II. Largo | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | G Major | 1 | 9B | 67 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | ||
Messa di Gloria: XV. Et vitam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | D Major | 1 | 10B | 64 BPM | ||
Iphigenie in Tauris - Ouvertüre | Camerata Romana, Alberto Lizzio | C Major | 1 | 8B | 95 BPM | ||
Sinfonia concertante in E-Flat Major, W. C41: II. Larghetto | Johann Christian Bach, Andras Horn, Nandor Gotz, Jeno Kevehazi, Lehel Ronai, Aladar Tuske, Budapest Strings, Karoly Botvay | C Major | 1 | 8B | 135 BPM | ||
Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Symphony in D Major, D. 13 "Non è bello quello che è bello mà quello che piace": I. Allegro | Leopold Mozart, Orchestra da Camera del Conservatorio di Mantova, Luca Bertazzi | D Major | 1 | 10B | 120 BPM | ||
Overture in B-Flat Major, Op. 8, No. 1: III. Tempo di minuetto | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 128 BPM |