"Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria" by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations was released on December 22, 2023. The duration of Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 27 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa solemnis in D major, Op. 123: II. Gloria: in excelsis Deo. Allegro vivace Gloria by Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Das listige Bauernmädchen: Ouvertura. Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 2 | 8B | 129 BPM | ||
Grande Messe des Morts: XVII. Sequentia: Pie Jesu - Amen: Andante | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 123 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
Mass in B Minor, BWV 232: Gloria: 7. Gratias agimus tibi | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | D♭ Major | 3 | 3B | 69 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 7. Cum Sancto Spiritu (Chorus). Allegro | Gioachino Rossini, Antonio Pappano | G Minor | 0 | 6A | 112 BPM | ||
Te Deum in D Major, HWV 283, "Dettingen": All the earth doth worship Thee | George Frideric Handel, Dorothee Fries, Matthias Rexroth, Thomas Cooley, Raimund Nolte, Siegen Bach Choir Collegium, Friedemann Immer Trumpet Consort, Hanoverian Court Orchestra, Ulrich Stötzel | E♭ Major | 3 | 5B | 127 BPM |