"Te Deum in D Major, MH 829: II. Largo" by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt was released on January 1, 2006. With Te Deum in D Major, MH 829: II. Largo being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Werner Ehrhardt's "Haydn, M.: Requiem in C Minor / Missa Sancti Joannis Nepomuceni / Te Deum in D Major" album is number 21 out of 23. On top of that, Germany appears to be the country where this track was created. Te Deum in D Major, MH 829: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum in D Major, MH 829: II. Largo by Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": IV. A tempo moderato. "Sagt es, die ihr erlöst seid" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | C Major | 0 | 8B | 86 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Credo in unum Deum | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Missa Sancta Theresiae: Kyrie eleison | Michael Haydn, Mária Zádori, Lucia Medgyesi-Schwartz, Jozsef Mukk, László Jekl, Jeunesses Musicales Chorus, Erdõdy Chamber Orchestra, Domonkos Heja | F♯ Minor | 1 | 11A | 140 BPM | ||
Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus, William Stone, Dawn Upshaw, David Gordon | A Major | 2 | 11B | 125 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Credo - Allegro - Adagio - Allegro | American Bach Soloists | B♭ Major | 1 | 6B | 63 BPM | ||
Requiem aeternam: Rex tremendae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 86 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène 5: "Chantons l'éclatante victoire" (Chœur de Spartiates) | Jean-Philippe Rameau, Ensemble Pygmalion, Raphael Pichon | G Major | 3 | 9B | 70 BPM | ||
Grande Messe des Morts: VIII. Sequentia: Tuba mirum: Grave - Allegretto | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | B♭ Major | 2 | 6B | 84 BPM | ||
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | F♯ Major | 3 | 2B | 120 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Rouse thee, my fainting soul | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM |