Darius Milhaud, Jean-Marc Fessard, Eliane Reyes made "Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira" available on September 28, 2010. The duration of Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Darius Milhaud, Jean-Marc Fessard's "Milhaud: Suite for clarinet, violin and piano" album is number 7 out of 16. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Scaramouche, Op. 165d (version for clarinet and piano): III. Brazileira by Darius Milhaud, Jean-Marc Fessard, Eliane Reyes to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Papillon, Op. 77 | Gabriel Fauré, Yo-Yo Ma, Kathryn Stott | A Major | 1 | 11B | 143 BPM | ||
Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
La vida breve: Danse Espagnole | Manuel de Falla, Janine Jansen, Antonio Pappano | A Major | 3 | 11B | 106 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Sonata For Flute & Piano In C Major: Allegro cantabile | Otar Taktakishvili, Eva Kupiec, Marina Piccinini | C Major | 1 | 8B | 102 BPM | ||
3 Intermezzos: No. 2. Espressivo | Henryk Górecki, Jean-Marc Fessard, Roman Widaszek, Polish Chamber Philharmonic Orchestra, Wojciech Rajski | D Minor | 1 | 7A | 75 BPM | ||
Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
In Summer Woods (arr. J. Lloyd Webber for 2 cellos and piano) | John Ireland, Julian Lloyd Webber, Jiaxin Cheng, John Lenehan | D Major | 1 | 10B | 87 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM |