Wolfgang Amadeus Mozart, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado's 'Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich?' came out on January 24, 2005. Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich? is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Mahler Chamber Orchestra, Claudio Abbado's "Mozart: Die Zauberflöte" album is number 2 out of 42. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich?'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zauberflöte, K. 620, Act I: No. 1, Zu Hilfe! Zu Hilfe! - Dialogue. Wo bin ich? by Wolfgang Amadeus Mozart, Christoph Strehl, Caroline Stein, Heidi Zehnder, Anne-Caroline Schlüter, Mahler Chamber Orchestra, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 144 テンポ, a half-time of 72テンポ, and a double-time of 288 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Il barbiere di Siviglia / Act I: "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) | Gioachino Rossini, Teresa Berganza, Enzo Dara, Hermann Prey, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
Requiem In D Minor, K.626: 3. Sequentia: e. Confutatis | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan, Rudolf Scholz, Wiener Singverein | F Major | 0 | 7B | 135 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): V. Communio - Lux æterna | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, Freiburger Barockorchester, René Jacobs | D Minor | 1 | 7A | 79 BPM | ||
Hungarian Dance No.20 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 76 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 1: Cavatina - Porgi Amor | Donato Di Stefano, Ingrid Kertesi, Patrizia Pace, Maria Pia Ionata, Jozsef Mukk, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | E♭ Major | 0 | 5B | 109 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde | Ludwig van Beethoven, Peter Mattei, Christof Fischesser, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Rachel Harnisch, Christoph Strehl, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM |