"Symphony No. 5 In B-Flat, Op. 100: 1. Andante" by Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1992. Symphony No. 5 In B-Flat, Op. 100: 1. Andante appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Prokofiev: Symphonies Nos.1 "Classical" & 5". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Symphony No. 5 In B-Flat, Op. 100: 1. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 5 In B-Flat, Op. 100: 1. Andante by Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM | ||
Symphony No.4 In B Flat, Op.60: 4. Allegro ma non troppo | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 135 BPM | ||
Rhapsodie espagnole, M. 54: II. Malagueña | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Major | 0 | 11B | 97 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 62 BPM | ||
Symphony No. 8 in C Minor, Op. 65: II. Allegretto | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 129 BPM | ||
Antiche danze ed arie per liuto, Suite III, P. 172: 2. Arie di corte. Andante cantabile-Allegretto-Vivace-Lento con grande espressione-Allegro vivace-Vivacis- simo-Andante cantabile | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 58 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM |